[{"NUM":22,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"978-7-5629-3081-5","可外借数":4,"上月外借册数":9,"去年外借册数":11,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":1,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"出版日期":"2010","已外借数":0,"COVERPATH":"http://img3.doubanio.com/lpic/s9002178.jpg","题名2":"动画场景设计","采编审核员":"","分类号":"","出版地":"武汉","索书号":"J218.7/7427B","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":1568666,"索书号7":"","索书号8":"","SUMMARYS":"《动画场景设计(第2版)》内容简介:动画是一门综合性的艺术形式,涉及绘画、文学、造型、影视、计算机技术、音乐等领域,其制作流程严谨且环环相扣。动画场景设计则是动画制作前期美术设计的一个组成,学习时应注意局部与整体相辅相承的关系。动画场景设计作为一门为影视动画服务,为展现故事情节、完成戏剧冲突、刻画人物性格服务的时空造型艺术,集功能性与艺术性于一体。一方面,给导演提供了镜头调度、运动主体表演、镜头构图、景物透视、光影及空间想象的依据;另一方面,场景设计直接影响着整部作品的风格和艺术水平。动画场景设计的学习需要一定的知识、技能的准备,主要包括绘画造型能力、色彩与光影知识、透视知识、空间想象力及影视方面的基础知识等。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"J218.7/7427B","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"陈峰, 黄文山编著","版次":"第2版","下载":0,"种次字符数据":"","分类数据":"","出版者2":"武汉理工大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"J218.7/7427B","索书号13":"","索书号12":"","索书号11":"","责任者2":"陈峰, 黄文山编著","索书号10":"","全文地址":"","题名":"动画场景设计","翻译题名":"","处理日期":1309664248000,"分类字母":"","题名缩写":"","索书号18":"","丛书名":"","册数":4,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":29,"调配员":"","修改人员":1,"出版者":"武汉理工大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"c9f5b8bfe63c18cf02bf6a5eb3ac1b41"},{"NUM":16,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"7-303-07197-0","可外借数":6,"上月外借册数":9,"去年外借册数":10,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":12,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"出版日期":"2006","已外借数":0,"COVERPATH":"/static/bookimage/7303071970.JPG","题名2":"影视美学教程","采编审核员":"","分类号":"","出版地":"北京","索书号":"J901/5015B","价格":30,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":1274254,"索书号7":"","索书号8":"","SUMMARYS":"“史可扬的博士论文《中国电影的美学阐释》从史论结合的角度对中国电影进行美学梳理和美学分析,是在中国电影美学已有基础上有创见的研究成果。作者有较好的美学理论功底,在中国电影审美理论阐释中较为深入地探讨了电影美学本体概念,一些理论论述见地独到。与此同时,作者对中国电影美学渊源梳理中,较好概括了文化根基与理论关系,显示了较为广阔的研究视野。论文选题有重要价值,论文构架严谨,持论慎重。阐释逻辑严谨,特别是理论思辨能力突出。引述与实证材料都很扎实。学风态度严肃,语言老到熟练,文风端正,是一篇有学术价值的较优秀的博士论文。”","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"J901/5015B","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"史可扬著","版次":"第2版","下载":0,"种次字符数据":"","分类数据":"","出版者2":"北京师范大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"J901/5015B","索书号13":"","索书号12":"","索书号11":"","责任者2":"史可扬著","索书号10":"","全文地址":"","题名":"影视美学教程","翻译题名":"","处理日期":1727074395000,"分类字母":"","题名缩写":"","索书号18":"","丛书名":"","册数":6,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":70,"调配员":"","修改人员":1,"出版者":"北京师范大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"1088150d4cc3eabe36072bacaf6300c3"},{"NUM":15,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"7-5325-3566-5","可外借数":4,"上月外借册数":5,"去年外借册数":6,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":11,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":3,"排架号":"","库键码":1,"出版日期":"2004","已外借数":0,"COVERPATH":"/static/bookimage/7532535665.JPG","题名2":"中国戏剧史:插图本","采编审核员":"","分类号":"","出版地":"上海","索书号":"J809.2/6443","价格":40,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":556434,"索书号7":"","索书号8":"","SUMMARYS":"《插图本中国戏剧史》用图文合一的形式介绍中国戏剧发展的历史。其内容有:戏剧的始源、早期戏剧、宋金戏剧、元杂剧、南戏的发展、明前期戏文、明清传奇、明清杂剧等。","今年外借册数":3,"编目审核员":"","调配时间":"","索书号A":"J809.2/6443","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"叶长海, 张福涛著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"上海古籍出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"J809.2/6443","索书号13":"","索书号12":"","索书号11":"","责任者2":"叶长海, 张福涛著","索书号10":"","全文地址":"","题名":"中国戏剧史:插图本","翻译题名":"","处理日期":1309846251000,"分类字母":"","题名缩写":"ZGXJS","索书号18":"","丛书名":"","册数":4,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":74,"调配员":"","修改人员":1,"出版者":"上海古籍出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"5415df7a0973965dd84fd6cf591d36f5"},{"NUM":13,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"978-7-81085-745-1","可外借数":5,"上月外借册数":61,"去年外借册数":63,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":12,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":11,"排架号":"","库键码":1,"出版日期":"2007","已外借数":1,"COVERPATH":"","题名2":"影视叙事学","采编审核员":"","分类号":"","出版地":"北京","索书号":"J904/3031","价格":39,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":1295072,"索书号7":"","索书号8":"","SUMMARYS":"","今年外借册数":11,"编目审核员":"","调配时间":"","索书号A":"J904/3031","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"宋家玲编著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"中国传媒大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"J904/3031","索书号13":"","索书号12":"","索书号11":"","责任者2":"宋家玲编著","索书号10":"","全文地址":"","题名":"影视叙事学","翻译题名":"","处理日期":1309857506000,"分类字母":"","题名缩写":"","索书号18":"","丛书名":"","册数":5,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":108,"调配员":"","修改人员":1,"出版者":"中国传媒大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"cdf539ba8e0a347a8c6543fe95daea07"},{"NUM":12,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"7-5613-2773-0","可外借数":5,"上月外借册数":39,"去年外借册数":40,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":16,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":2,"排架号":"","库键码":1,"出版日期":"2004","已外借数":0,"COVERPATH":"/static/bookimage/7561327730.JPG","题名2":"黑铁时代:最新典藏插图本","采编审核员":"","分类号":"","出版地":"西安","索书号":"I247.7/1093.1","价格":26,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":732392,"索书号7":"","索书号8":"","SUMMARYS":"王小波似乎对颜色特别敏感,作品中几个时代系列分别冠以黑铁、白银、黄金、青铜等。王小波因心脏病突发逝世多年了,近年来他的作品倍受瞩目,不论是小说还是杂文,争议很大,本集中收录有王小波早年未发表的作品,这些作品虽然功力不如后期的作品深厚,风格有写不够统一,但也十分可以,值得我们翻一翻。 在本书中,收入了作家“时代”系列的第四部作品——《黑铁时代》,中篇小说《2010》;还有久为人们传诵的早期手稿——《绿毛水怪》、《歌仙》、《这是真的》、《变形记》 如果说前两部作品是《时代三部曲》的逻辑演进;那么后者虽显稚嫩,但文笔流畅、意境清新,已显露出作者的文学才华;其于了解作家渐臻成熟的创作过程有不可忽视之价值。 本书是王小波作品系列小说精编之黑铁时代,是最新典藏插图本,称得上是中国当代文坛“最美的收获。”《黑铁时代》是作者在他著名的“时代三部曲”之后带给我们的另一个“美丽的惊喜”。在本书中,作者以他一贯的奇妙绝伦的构思构筑了一篇篇精彩的小说。《绿毛水怪》、《歌仙》、《红拂夜奔》......王小波的故事从古到今,其中的主角有令人匪夷所思的绿毛水怪,有唐朝的大将军李靖,真是令人拍案叫绝。书的末了以一篇经典的《黑铁时代》结束,让人回味无穷。","今年外借册数":2,"编目审核员":"","调配时间":"","索书号A":"I247.7/1093.1","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"王小波著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"陕西师范大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"I247.7/1093.1","索书号13":"","索书号12":"","索书号11":"","责任者2":"王小波著","索书号10":"","全文地址":"","题名":"黑铁时代:最新典藏插图本","翻译题名":"","处理日期":1309852590000,"分类字母":"","题名缩写":"","索书号18":"","丛书名":"","册数":5,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":197,"调配员":"","修改人员":1,"出版者":"陕西师范大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"2e929d6419d67b69bb8aa1bdb8430c8d"},{"NUM":10,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"7-5633-5742-4","可外借数":4,"上月外借册数":28,"去年外借册数":29,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":1,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":1,"排架号":"","库键码":1,"出版日期":"2005","已外借数":0,"COVERPATH":"/static/bookimage/7563357424.JPG","题名2":"导演电影:电影导演的艺术","采编审核员":"","分类号":"","出版地":"桂林","索书号":"J911/9040","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":684402,"索书号7":"","索书号8":"","SUMMARYS":"本书的资料收集自美国电影研究所的高级电影研究中心, 汇集了所有曾经在美国电影研究所工作过的75位导演的评述,并且这些材料都不曾因为评论的需要而改动和挑选,以尽可能广泛地发掘电影工作的所有概况、描绘出“什么是导演的工作”的全部含义,是迄今为止最全面的论述制作电影过程的书籍. 本书是美国电影大学的经典教材及经典资料集,一直是使用于多所美国一流的电影大学之中,在美国再版二十余次。 简要目录 第一章 谁是导演? 第二章 剧本——一位导演的本钱 第三章 组织军团 第四章 训练士兵——排练 第五章 第一法则——拍摄技法 第六章 在片厂 第七章 指挥演员 第八章 视觉效果和摄影技巧 第九章 电影剪辑","今年外借册数":1,"编目审核员":"","调配时间":"","索书号A":"J911/9040","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"(美)埃里克·舍曼[ERIC SHERMAN]著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"广西师范大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"J911/9040","索书号13":"","索书号12":"","索书号11":"","责任者2":"(美)埃里克·舍曼[Eric Sherman]著","索书号10":"","全文地址":"","题名":"导演电影:电影导演的艺术","翻译题名":"","处理日期":1309619154000,"分类字母":"","题名缩写":"","索书号18":"","丛书名":"","册数":4,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":95,"调配员":"","修改人员":91,"出版者":"广西师范大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"05c6273f09b7802f7aa8116e2c297fe6"},{"NUM":10,"bookMap":"","ID":"8c6f9fdfe5166b5dff14d8185b3afb77"},{"NUM":9,"bookMap":"","ID":"76cd55ad2609568e035f096853fa7662"},{"NUM":9,"bookMap":{"COVERPATH_TOUCH":"","种次F":"","标准编码":"7-5059-3395-7","可外借数":4,"上月外借册数":17,"去年外借册数":18,"采编审核":0,"封面":"","分类字符数据":"","全文服务器ID":0,"操作员":12,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"出版日期":"1999","已外借数":0,"COVERPATH":"/static/bookimage/7505933957.JPG","题名2":"春雪","采编审核员":"","分类号":"","出版地":"北京","索书号":"I313.45/1252.4","价格":21,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","原主键码":"","翻阅次数":0,"主键码":812407,"索书号7":"","索书号8":"","SUMMARYS":"松枝清显本是武将门第出身家道中落,父亲将他寄养在绫他伯爵家。18岁上他与伯爵的女儿聪子相恋但他优柔寡断,没有勇气接受聪子的求婚。聪子被皇上敕许给洞院宫三王子治典王之后,她通过老仆蓼科仍与清显保持联系。清显却与她发生了肉体关系,并且让她怀了孕。而老仆蓼科又与主人绫他伯爵关系暧昧,她秉承伯爵之意,教唆聪子以不是处女的姿态对松枝侯爵进行幽雅的复仇。清显在东大的同学本多繁邦的帮助下,继续与聪子幽会。伯爵发现自己的聪子怀孕后,后怕事情败露,让女儿去奈良月修寺躲风。聪子在月修寺私自削发为尼,有犯皇上之嫌,所以侯爵、伯爵两家乱了方寸,让医生开具假诊断书,以欺瞒皇上。清显在本多的帮助下,亲赴月修寺要会见聪子,被聪子婉拒了。清显心力交瘁。在返回东京的车厢里,生平常做梦的他做了最后一个梦,醒来喃喃自语:“还会见面的。一定还会再见面的,在瀑布下……。”清显回到东京次日就离开了人世,年仅20岁。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"I313.45/1252.4","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":"","图象页数":0,"责任者":"(日)三岛由纪夫著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"中国文联出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"采编审核日期":"","索书号15":"","索书号14":"I313.45/1252.4","索书号13":"","索书号12":"","索书号11":"","责任者2":"(日)三岛由纪夫著","索书号10":"","全文地址":"","题名":"春雪","翻译题名":"","处理日期":1309855344000,"分类字母":"","题名缩写":"CX","索书号18":"","丛书名":"","册数":4,"索书号17":"","索书号16":"","SUMMARYS_TOUCH":"","累计外借册数":120,"调配员":"","修改人员":1,"出版者":"中国文联出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":"","下载地址":""},"ID":"81155815a20f65b4bb95b52265e40627"},{"NUM":9,"bookMap":"","ID":"a9999b3228d9a48ea9379d068b31e3be"}]