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中的一些基本学术问题，如重音与重读的区别、定义；重读同诗歌的关系与意义；诗行与诗句的区别、诗行的形式特征；诗节的类型与功用；节奏的类型与特点；韵律的分类与总结；押韵的定义、类型与特征；十四行诗的起源与分类；不同特征的十四行诗及当代十四行诗的形式分析等。本书重视理论同实践的结合，通过大量的诗歌实例说明英语诗歌形式的理论问题，是我国第一次对英语诗歌的形式进行的全面、系统和深入的研究。本书深入浅出，适合高校文科专业的教师、研究生、本科生的教学及诗歌爱好者阅读参考。 目录 序言 前言 Ⅰ.重音与重读 1.音节 1.1 音节的定义 1.2 诗歌的音节 1.3 音节的划分 1.4 音节的省略 2.重音与重读 2.1 重音与重读的定义 2.2 重音的度与位置 2.3 重音与重读的规则 2.4 重音的类型 Ⅱ.诗行与诗节 1.诗行 1.1 诗行的定义 1.2 诗行的句法 1.3 诗行的长度 2.诗节 2.1 诗节的定义 2.2 双行诗节 2.3 三行诗节 2.4 四行诗节 2.5 五行诗节 2.6 六行诗节 2.7 七行诗节 2.8 八行诗节 2.9 九行诗节 3.长诗节 3.1 十行诗节 3.2 十一行诗节 3.3 十二行诗节 3.4 十三行诗节和十四行诗 3.5 十五行诗节至十九行诗节 Ⅲ.韵步与韵律 1.韵步 1.1 韵步的定义 1.2 韵步的划分原则 1.3 划分韵步的方法与符号 2.韵步的形式 2.1 韵步的数量与种类 2.2 韵步的分类 3.主要的韵步类型 3.1 抑扬格 3.2 扬抑格 3.3 扬扬格 3.4 抑抑扬格 3.5 扬抑抑格 3.6 四音节韵步 4.韵律 4.1 韵律概述 4.2 重音韵律 4.3 重音诗歌 5.重音音节韵律 5.1 重音音节韵律 5.2 音节韵律 6.重读音节韵步的主要类型 6.1 单韵步诗行 6.2 双韵步诗行 6.3 三韵步诗行 6.4 四韵步诗行 6.5 五韵步诗行 6.6 六韵步诗行 6.7 七韵步诗行 6.8 八韵步诗行 Ⅳ.押韵 1.诗歌的押韵 1.1 押韵的起源与发展 1.2 押韵的定义 1.3 押韵的音节结构 2.押韵的分类标准 2.1 音节数目与押韵 2.2 词法与押韵 2.3 重音位置与押韵 2.4 词汇分类与押韵 2.5 音节读音的近似原则与押韵 2.6 押韵单词的读音结构与押韵 2.7 押韵在诗行中的位置与押韵 3.押韵的类型和基本特征 3.1 全韵 3.2 单韵 3.3 双韵 3.4 三重韵 4.非全韵 4.1 元韵 4.2 和韵 4.3 头韵 4.4 内韵 5.其他形式的押韵 5.1 目韵 5.2 富韵 5.3 析韵 5.4 破韵 5.5 马赛克韵 5.6 联韵 5.7 省略韵与减字韵 5.8 连接韵 5.9 连续韵、反韵等 6.押韵格式概述 6.1 什么是押韵格式 6.2 押韵格式的表示方法 6.3 押韵格式与诗节的关系 6.4 定型押韵格式与普通押韵格式 7.定型诗篇的押韵格式 7.1 十四行诗 7.2 颂歌 7.3 叙事歌谣 7.4 英国轻体诗 8.普通押韵格式 8.1 双行韵 8.2 隔行韵 8.3 吻韵 8.4 链韵 9.诗行的押韵格式 9.1 单韵 9.2 五行押韵格式 9.3 六行押韵格式 9.4 7行以上的押韵格式 Ⅴ.十四行诗 1.彼特拉克体十四行诗 1.1 十四行诗的起源与发展 1.2 弥尔顿 1.3 威廉华兹华斯 1.4 约翰济慈 2.英国莎士比亚体十四行诗 2.1 彼特拉克体十四行诗在英国的变异 2.2 莎士比亚体十四行诗的形成与特点 3.斯宾塞体十四行诗 3.1 斯宾塞的诗歌创作 3.2 斯宾塞的十四行诗 4.当代十四行诗 4.1 当代十四行诗概述 4.2 当代十四行诗的韵律结构 4.3 弗罗斯特的十四行诗 4.4 玛丽莲哈克的十四行诗 4.5 其他十四行诗诗人 5.十四行诗组诗 5.1 十四行诗组诗 5.2 皇冠十四行诗 6.非规则十四行诗 6.1 非规则十四行诗的特征 6.2 沃特森的十四行诗 6.3 莎士比亚的非规则十四行诗 6.4 带尾韵的十四行诗与缩减的十四行诗 6.5 其他非规则十四行诗 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